Movie Info
Movie Name: Autumn Sonata
Studio: ITC Entertainment
Genre(s): Drama
Release Date(s): October 8, 1978 (Sweden)/October 18, 1978 (US)
MPAA Rating: PG
Eva (Liv Ullmann) has invited her mother Charlotte (Ingrid Bergman) to the home of her and her husband Viktor (Halvar Björk) in the hopes of potentially mending differences between them. When Charlotte arrives, she finds her disabled daughter Helena (Lena Nyman) is also staying with Eva and is reminded of her past failings as a mother. Eva is dealing with her own tragedy, but it is her opportunity to truly talk to her mother and past that was buried will be raised.
Written and directed by Ingmar Bergman, Autumn Sonata (Höstsonaten) is a Swedish family drama. Following The Serpent’s Egg in 1977, the film was Bergman’s last film strictly for the theaters and the final film performance of Ingmar Bergman who died of breast cancer in 1982. The film received Academy Award nominations for Best Actress (Bergman) and Best Original Screenplay. The Criterion Collection released a remastered version of the film (Criterion #60) which was also part of the Ingmar Bergman’s Cinema box set celebrating the director’s one hundredth birthday.
Bergman always does solid drama-dramas. Generally, it isn’t about the story as much as it is about the acting and the emotion tied to it. With Ingrid Bergman and Liv Ullmann holding down the fort, I knew Autumn Sonata would probably score…and it did.
The story is built on regret like many of Bergman’s stories. You have Liv Ullmann’s character who is ruined by regret (including losing her son) and finding herself unable to love or be loved due to her past with her mother. You have a mother who realizes she made mistakes but also doesn’t realize the extent of her actions. This of course leads to an explosion of emotion that literally is two characters talking and having it out for about twenty minutes of the film…something that most directors can’t pull off.
Ingrid Bergman gets a lot of credit for this film, and it is rightfully so. It was her first time working with Ingmar Bergman (no relation), but it is a solid performance (she had just been diagnosed with breast cancer). Bergman is good, but she is smartly paired with Liv Ullmann who shows optimism for a reconciliation with her mother but finds that keeping silent isn’t possible. Both Lena Nyman and Halvar Björk give nice supporting performances as well.
The movie feels intimate. There is a warmth to the film and despite the resentment and anger of the characters, this warmth carries it over. It is important that the house feels like a real home and Bergman makes it feel real.
Autumn Sonata is one of those movies that feels like a slice of life. You know that a lot of things happened before the film and there is an indication that more will happen after the film is over. Bergman often used this model and it is an interesting approach to storytelling. Despite having television take over his creative measures, Bergman continued strong and followed Autumn Sonata with From the Life of the Marionettes in 1980.